Kevin Bolen | .... | assistant sound re-recording mixer |
Danny Caccavo | .... | digital editorial support |
Brian Chumney | .... | dialogue editor |
Blake Collins | .... | foley mixer |
P.J. Corvus | .... | audio technical support |
Ryan J. Frias | .... | digital editorial support |
Pascal Garneau | .... | supervising foley editor |
Steve Jamerson | .... | sound engineer |
Roy Latham | .... | original dialogue mixer |
Al Nelson | .... | additional sound designer |
Jonathan Null | .... | supervising sound editor |
Greg J. Peterson | .... | foley recordist |
Gary Rizzo | .... | sound re-recording mixer |
Tighe Sheldon | .... | original dialogue mixer |
Mac Smith | .... | sound effects editor |
Carlos Sotolongo | .... | original dialouge mixer |
Randy Thom | .... | supervising sound editor |
Corey Tyler | .... | foley mixer |
Bonnie Wild | .... | digital editorial support |
Kimberly Patrick | .... | sound design intern |
Qian Bai Hui Yang | .... | sound design intern |
Thursday, 2 May 2013
Sound production roles
Below is a list of all of the sound production staff who worked on the latest Dreamwork film, Meet the Croods. This is a great example of how many people it takes to produce all of the sound for a feature length film. From Foley artists to sound editors, mixers, interns etc ...There is a huge number of staff, all of whom need to be in sync with one another to create a fluid and brilliant piece. Even for a task such as Foley, which may seem like an incredibly minor thing when watching the film, in fact viewers are almost unaware that it is there though a lack of it would be significant, requires a number of personal. In this example there was 3 people who's main focus was on foley, though the editors, mixers, producers and directors would all have had their input.
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