| Kevin Bolen | .... | assistant sound re-recording mixer |
| Danny Caccavo | .... | digital editorial support |
| Brian Chumney | .... | dialogue editor |
| Blake Collins | .... | foley mixer |
| P.J. Corvus | .... | audio technical support |
| Ryan J. Frias | .... | digital editorial support |
| Pascal Garneau | .... | supervising foley editor |
| Steve Jamerson | .... | sound engineer |
| Roy Latham | .... | original dialogue mixer |
| Al Nelson | .... | additional sound designer |
| Jonathan Null | .... | supervising sound editor |
| Greg J. Peterson | .... | foley recordist |
| Gary Rizzo | .... | sound re-recording mixer |
| Tighe Sheldon | .... | original dialogue mixer |
| Mac Smith | .... | sound effects editor |
| Carlos Sotolongo | .... | original dialouge mixer |
| Randy Thom | .... | supervising sound editor |
| Corey Tyler | .... | foley mixer |
| Bonnie Wild | .... | digital editorial support |
| Kimberly Patrick | .... | sound design intern |
| Qian Bai Hui Yang | .... | sound design intern |
Thursday, 2 May 2013
Sound production roles
Below is a list of all of the sound production staff who worked on the latest Dreamwork film, Meet the Croods. This is a great example of how many people it takes to produce all of the sound for a feature length film. From Foley artists to sound editors, mixers, interns etc ...There is a huge number of staff, all of whom need to be in sync with one another to create a fluid and brilliant piece. Even for a task such as Foley, which may seem like an incredibly minor thing when watching the film, in fact viewers are almost unaware that it is there though a lack of it would be significant, requires a number of personal. In this example there was 3 people who's main focus was on foley, though the editors, mixers, producers and directors would all have had their input.
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